BIO

Kelly Alison is an American artist primarily working in a rural area in the Texas Panhandle. In 2017 she founded the Contemporary Art Museum Plainview where she is now the Executive Director where she curated the first and the last exhibitions in the three year initiative called BIG ART in small town.

Before moving to Plainview, Alison lived and worked in Houston Texas where she taught art at the Art League of Houston. Alison has shown in over 100 exhibitions including national and international museums, most notably at the Shanghai Art Museum in China, the National Museum of Art in Lima, Peru and the Museum of Fine Arts Houston. She has been published in books, catalogs and magazines such as Art in America, Texas Monthly and Town and Country. She was recently featured in the scholarly survey of Houston art by Pete Gershon in his book Collision: The Contemporary Art Scene in Houston 1972-1985 and her work is on permanent exhibition in downtown Houston as part of the Wayfinder project.

Alison was born 1957 and raised in the panhandle town of Plainview, Texas. In the late 70’s, early 80’s at The University of Houston she was one of the students involved with the original Lawndale Art Annex, (Houston’s first alternative space) where she studied under Richard Stout, Gail Stack, John Alexander, and James Surls.

In 1985, Alison was recognized as the youngest artist in “Fresh Paint: The Houston School”, curated by the highly regarded Barbara Rose and writer, co-curator, Susie Kalil. The prestigious exhibition opened at the Fine Arts Museum in Houston, then traveled to New York to the alternative space, PS1.

Two Art in Public Places projects were awarded to Alison, the Lee High School Mural Project and the Wayfinder Project, sponsored by the Downtown Association and the Cultural Arts Council of Houston. Both remain on permanent exhibit in Houston. Alison was also the first Director of the Winter Street Art Studios during its memorable Grand Opening.

During the 1990’s, Alison worked with the “Rubber Art Mob” Wayne Gilbert, Bill Hailey, and Ramzy Telly. At the same time, she was exploring the international and invisible world of collective identities and multiple name performers. She performed in a number of offbeat venues under the names l.knomore or Ima Knomore, Helena in the dadaNetCircus production of www. Faust, Discordia in Jonah and the www.Whale and Y2K with Richie Hubscher and the Easy Credit Theater. During this time, she had a short Residency at Diverse Works with the dada Net Circus.

In 2006, Alison exhibited in the Corpus Christi Art Museum, ” Art Caliente’, The Joe Diaz Collection” and the Arlington Art Museum. In July and August of 2006, Alison traveled to China as part of the exhibition,Houston Contemporary, curated by Christopher Zhu and Gus Kopriva at the Shanghai Art Museum in China. In 2007, Alison exhibited in “Amistad” at the Museo de Nationale in Lima Peru and Trujillo, Peru.

In 2012 and 2014 Alison was the organizer and administrator for Lone Star Explosion, Houston’s International Performance Art Biennale. The events brought in over 50 performance artists from all over the world, some from as far away as South Korea, Chili and Finland. It was widely attended and received a great deal of press.

Recent exhibitions include a 10 Year Retrospective called A Sense of Place at Wayland University and and exhibition called FOURTEEN at The Art Car Museum, Houston, TX. She was part of a group invitational at the Museo de Arte Moderno in Trujillo, Peru, represented by G Contemporary Fine Art in Houston TX and a participated in a recent residency at Box13 Artspace which was named by Houston Press as Houston’s best artists run art space.

 

Kelly Alison

Born: May 7, 1957

MFA: University of Houston, Houston TX BFA: Baylor University, Waco TX

2017-2021

  • Founder and Executive Director of Contemporary Art Museum Plainview, Plainview TX 2012-2014
  • Project Manager for Houston International Performance Art Biennale’, Houston TX 2008-2017
  • Art Instructor, Art League of Houston, Houston TX

 

SOLO EXHIBITIONS:

 

2017

  • Sense of Place: Ten Year Retrospective, Wayland University, Plainview TX

2012

  • Twist of Fate, Wagner Sousa, Galveston TX
  • Tweet, Nauhaus Art, Houston TX

2011

  • Riders on the Storm, Bogan Gallery Houston TX

2009

  • State of Denial, , Houston TX
  • Theory of M, , Houston TX

2007

  • The Spring Collection, David Addicks , Houston

2005

  • Return From Graceland, 101 Gallery, Houston TX

2003

  • The Ima Code, Nancy Little John Fine Art, Houston

1995

  • New Work, Graham Gallery, Houston TX

1990

  • The Mud Women Loses Her Head, Graham Gallery, Houston

1988

  • New World, New Wine, Graham Gallery, Houston TX

1987

  • How Fragile We Are, Graham Gallery, Houston TX

1986

  • Paintings and Pastels, Graham Gallery, Houston TX

1985

  • Alison in Wonderland, Graham Gallery, Houston TX

1984

  • Cutting a New Figure, Newell Gallery, Houston TX

1983

  • Hogg Wild, Newell Gallery, Houston TX1982

1982

  • Bird Brain City, 3321 Gallery, Houston TX1981

1981

  • Who knows No ZE, 3321 Gallery, Houston TX

 

SELECTED GROUP EXHIBITIONS

 

2020

  • Puttin’ on the Dawg, Contemporary Art Museum Plainview, Plainview TX

2012

  • Fourteen, Women Artist of Texas, Art Car Museum, Houston TX 2012
  • Gambol, 2nd place Winner, Art League Houston Competition
  • Trijillo Invitational, Museo’ de Arte, Trijillo Peru

2010

    • Smackdown, Houston Dallas, Paxton Moore Fine Art Dal- las TX
    • Smackdown Continues, Mighty Fine Arts, Dallas TX
    • Debutants Run Wild, Diverse Works, Houston TX
    • BCCKT Collaborative Project, Eye Candy, M Squard Gallery, Houston TX
    • Pongos Helping Pongos, Artist and Primates Collaborate sponsored by Houston Zoo G Gallery Houston Tx

2009

  • Collage Williams Tower Gallery, Curated by Sally Sprout Fine Art, Houston TX
  • Arlington Art Museum, Houston Contemporary

2008

  • Collage Williams Tower Gallery, Curated by Sally Sprout Fine Art, Houston TX
  • Texas Twang Seattle WA, Catalog with color photo of work
  • Arts Initiative, Marf a TX, Catalog with color photo of
  • Ulterior Motif s # 10, Crazywood Gallery, Huntsville TX, catalog with color photo of
  • The Most Beautiful Art in The World, curated by Curry Glassel, Francisco and Wayne Gilbert,GGallery Houston, TX
  • Ladies Night Out, Ike Recovery Project, Houston TX 2007
  • Ulterior Motif s k.a. Camp Marf a”, Crazywood Gallery, Huntsville, Texas. Curated by Wayne Gilbert and Jef frey Wheeler. *Catalog (illustrated)
  • Camp Marf a”, The Art Depot in Lubbock, Curated by Wayne Gilbert. *Catalog (illustrated)
  • AMISTAD Texas Art in Peru”, Museum of Modern Art (Museo de Arte Moderno) in LIM, Curated by Gus Kopriva. *Catalog (illustrated)
  • Camp Marf a, Fort Russell Building, Marf a, Curated by Wayne Gilbert. *Catalog (illustrated)
  • Houston City Hall Annex Art on Loan Show, Houston, Cu- rated by Karen Rezai and Gus Kopriva 2006

2006

  • HOUSTON CONTEMPORARY, Shanghai Art Museum, Shanghai China, curated by Christopher Wu, catalog (illustrated)

2005

  • Art Caliente’, Joe Diaz Collection, Corpus Christi Art Museum, Corpus Christi, TX
  • Line, Drawing Show, 101 Gallery, Houston TX

2000

  • AIDS Foundation Gala, Art Scan, Houston TX
  • Rear Entry, Rubber Art Mob, CSAW, Houston TX

1999

  • Size Matters, Rubber Art Mob, Nancy Littlejohn Fine Art, Grand Opening, Houston TX
  • The Goths and Gawkers Ball, TemplO, Houston, TX

1998

  • Rubber an Art Mob, Holy 8 Ball Gallery, Austin TX
  • Rubber an Art Mob, Austin Art Alliance, Austin TX

 

1997

  • Origin of Chill as Director of Winter Street Art Center, Houston TX
  • Stretch Marks, Rubber Arts Group, CSAW, Public News Review by Catherine Anspon 1995
  • Figurative Dynamics, Art League of Houston, catalog with color photo of work, curated by Jana Van DerLee, Houston TX

1994

  • Lawndale Live, Lawndale Arts and Performance Center, Houston TX1992
  • Conscience and Content, The Art League of Houston, Houston TX 1987
  • Blood Ties and Other Knotty Issues, Diverse Works, curated by Gail Siptak, Houston TX1988
  • DIFFA Chair Exhibit, One Allen Center, Houston TX1985
  • Fresh Paint, The Houston School, PS1, curated by Barbara Rose and Susie Kalil, New York, New York Exhibition Catalog with color pho- tos of work
  • Fresh Paint, The Houston School, The Museum of Fine Arts, curated by BaKalil, traveling, Museum of Fine Art, Houston TX

1984

  • Some Houston Artist, Hyatt Regnecy Hotel, Houston Tx, catalog1983
  • Thirteen Artist, A Look at Houston, Curated by James Surls, Georgia State
  • Alliance Show, Lawndale Annex, Houston, Texas Heart of Hearts, Newell Gallery, Houston,Texas

1982

  • An Event, Curated by Charmagne Locke, Lawndale Annex, Houston TX
  • The Dream Show, Daughtery Arts Center, Austin, TX
  • 221 Gallery Retrospective, 3221 Milam, Houston TX 1981
  • Five UNimportant Modern Artist, 3321 Gallery, Houston TX Drawing Invitational, Lawndale Annex,

Houston

1980

  • From Lawndale, Four Painters, Lawndale Annex, Houston TX1979
  • Pow Wow, the FIRST show at the original Lawndale Annex, Houston TX Brothers and Sisters, Lawndale Annex, Houston TX

 

PERFORMANCE ART

 

2001

  • Nomer does Photography, CSAW, Houston TX Patient Zero, AIDS Foundation GALA, Art Scan, Houston TX

2000

  • Nomer does Portraits, Rear Entry, Rubber Art Mob, Houston TX
  • Jonah and the Whale, dadaNetCircus and the Easy Credit Thea- ter @Diverse Works, artist in residence grant, Houston

1999

  • Y2K, Richie Hubscher and the Easy Credit Theater, Notsuo H, (ran f or several weeks) Houston TX
  • Hoar, Size Matters, Nancy Littlejohn Fine Art, Grand Opening, Hous- ton TX
  • Disf unctional Family Circus, Art Car Parade Perf ormance with Nestor Topchy and TemplO, f irst place f orperf ormance, Houston TX
  • The Goth and Gawkers Ball, chairman, TemplO, Houston TX
  • Statue of Liberty Whip, Indepen DANCE Day, TemplO, Houston TX One AX, TemplO, Houston TX

1998

  • Pumpkin, Rubber (An Art Mob), Holy 8 Ball Gallery, Austin TX
  • Poles, Rubber (An Art Mob), Austin Art Alliance, Austin TX

 

  • Pixil Bus as Discordia, dadaNetCircus and Easy Credit Theater, Art Crawl, Houston TX
  • One AX, TemplO, Houston TX
  • The Blessing Mobile, Art Car parade with Nestor Topchy and Tem- plO, Houston TX
  • DadaNet Circus at the Suits Project Gala, Art Guys, Rice Hotel, Houston TX

1997

  • FAUST, dadaNetCircus, TemplO, Houston TX
  • FAUST, dadaNetCircus CSAW, Houston TX 1982
    • Anthony Braxton’s Composition 102 f or Orchestra and Thea- tre, Lawndale Puppet Annex, Houston

TX 1981

  • Overman, Kelly Alison, 3321 Gallery, Houston, TX

 

GRANTS AND SPECIAL PROJECTS

 

2017-2021

  • Numerous grants from Community Foundation of West Texas for the formation of the Contemporary Art Museum Plainview

2014

  • Project Manager f or City of Houston’s Mayors Initiative Grant f unding Houston’s International Performance Art Biennale Lone Star Explosion

.2012

  • Project Manager f or City of Houston’s Mayors Initiative Grant f unding Houston’s International Performance Art Biennale Lone Star Explosion

2007

  • Art in Public Places Rail Project, Houston Metro Rail System 2005
  • Wayf inder Project, downtown Houston sinage Art in Public Places. First On permanent exhibit in Houston

2000

  • Jonah and the Whale, artist in residence grant, Diverse Works, Houston TX 1998
  •  Director of Winter Streeet Art Center

1995

  • The Hugger Mugger, an unruly newsletter, six issues
  • The Lee High School Mural, 30′x90′ in conjunction with Lawndale, Houston

 

SELECTED BIBLIOGRAPHY

 

Catalogs and Books:

 

2020

  • Collision: The Contemporary Art Scene in Houston 1972-1985 by Pete Gershon 2007
  • Amistad, National Museum of Art, Lima Peru
  • Ulterior Motifs, Arlington Art Museum
  • Camp Marfa, Marfa Tx 2006
  • Houston Contemporary, Exhibition in Shanghai Art Museum Book

2005

  • Arte Caliente Catalog! Corpus Christi Art Museum, Corpus Christi Texas
  • James Surls: The Splendora Years, 1977-1997, Blaffler Gallery, University of Houston, Houston Texas

 

1995

  • Figurative Dynamics, The Art League of Houston, curated by Jana Van-derlee, 1994
  • Lawndale Live, Lawndale Arts and Performance Center, 1986
  • Fresh Paint, The Houston School Exhibition Catalog, Museum of Fine Arts, curated by Barbara Rose and Susie Kalil

 

Public Media & Television

 

2019

  • KBLK Lubbock News
  • PBS documentary on Contemporary Art Museum Plainview 1997
  • dadaNet Circus, ABC NEWS and KTRK local
  • El Mundo, Winter Street Art Center 1995
  • The Mural Project, Live at Five, CBS news, Interview Channel 48, 1990
  • Mural Project Interview KHOU, Houston Texas

1985

  •  Documentary on Fresh Paint in conjunction with the Museum of Fine Arts Houston and PBS

 

Other  Selected  Magazines and Newspapers:

 

2008

  • Kelly Alison’s Neo-Expressionist Work opens at G Gallery, River Oaks Examiner 2006
  • Zhu, Christopher, “American Contemporary Art from Houston”, Journal of Suzhou Art and DesignTechnology Institute, Septem-ber 2006 issue, pages 47-52. (illustrated)
  • Houston Art in Shanghai”, a documentary of “Houston Con-temporary Art”, directed by Christopher Zhu, co-produced by TV station of Minhang District, Shanghai, and Jacob Video Studio, 08-18-2006.
  • Liu Jingjing, “Houston in Two Seconds – in Retrospective of Hous-ton Contemporary Art”, Art World, Panorama (September, 2006), pages 64-69.
  • Anspon, Catherine , “China syndrome: Houston artists Shang-haied”, Paper City, October 2006, page 71.(illustrated)
  • Celestino, Magdalen, “Houston Contemporary Art in Shanghai”, Glass-tire September 2006 1989
  • Big Spotlight on Houston May be Too Bright, Patricia Johnson, Hous-ton Chronicle, 9 1988
  • Kelly Alison “Critics Choice”, Chadwick, The Houston Post, April `5,1988

1987

  • Art Capital of the Third Coast, Art in America, Gambrell, Jamey April 1987 1986
  • Critics’ Choice, The Houston Post, p 9H, June 22, Susan Chadwick,
  • The Talk of the Town, Eveningham, The Houston Post
  • Alison shows Clarit”, Johnson, The Houston Chronicle
  • Aftereffects Eveningham, The Houston Post

1985

  • Fresh Paint, The Houston Barbara Rose, catalog 2 color photos plus interview
  • An Interview with Barbara Rose”, Artspace, Winter 1984-85, 8 color photo, p. 11
  • Persistent Vigor, Texas Monthly, Michael Ennis, pp 152-158, March 1985, color photo
  • Reginal Revisions, Houston and Chicago”, Art in America, 90-99, July 1985
  • Fresh Paint, The Houston School, Susie, Kalil
  • Ultra Magazine, color photo of artist and work, milk blood, 57
  • The Houston School Local Talent”, Mel McCombie, Houston Chronicle inset, several photos p 14,
  • The Houston School, Houston Post, photo of work, Carol Eveingham, Talk of the Town, , Houston Chronicle, April 7, 1985
  • Personal Space, Texas Monthly, Michael Ennis, August 1983 st Statements Welcome to the World of ArtisticDreams, Aus-tin American Statesman, July 25, `
  • Art, Artscene, January/February
  • Art Works at Lawndale”, Mimi Crossley, The Houston Post, February January 1985
  • The Chicago Tribune, Artist Kelly Alison, Trading Easy for Ab-stract, Leigh Hopper-
  • Dallas Morning News” from: Lee, Kelly Alison, full page story that was picked up on the wire from:Trading Easy for Ab-stract, Leigh Hopper
  • Kelly Alison calls Brazoria Home”, Leigh HopperBrazosport News, Lake Jackson TX
  • The Houston School” color photo of work, Aftereffects, Carol Everingham “Houston Spotlight” Johnson, photo, Houston Chronicle
  • Fresh Paint Insert, supplement, January 20, 1985, Houston Chronicle
  • Houston School Supplement, The HoustonPost,
  • The Magazine, January 20, color photo PBS – Channel 8 and the Museum of Fine Arts, Houston, Jankowski, Patrick,
  • Fresh Paint, The Housotn School, pp 25-29 Fresh Paint, If it represented the Houston School, someone is playing Hookey
  • Artist Statements Welcome to the World of Artistic Dreams, Aus-tin American Statesman, July 25, `
  • Art, Artscene, January/February
  • Art Works at Lawndale, Mimi Crossley, The Houston Post, Feb-ruary January1985
  • The Chicago Tribune, Artist Kelly Alison, Trading Easy for Abstract, Leigh Hopper-
  • Dallas Morning News” from: Lee, Kelly Alison, full page story that was picked up on the wire from:Trading Easy for Abstract, Leigh Hopper
  • Kelly Alison calls Brazoria Home”, Leigh Hoppe rBrazosport News, Lake Jackson TX
  • The Houston School” color photo of work, Aftereffects, Carol Everingham “Houston Spotlight” Johnson, photo, Houston Chroni-cle
  • Fresh Paint Insert, supplement, January 20, 1985, Houston Chronicle
  • Houston School Supplement, The HoustonPost,
  • The Magazine, January 20, color photo PBS – Channel 8 and the Mu-seum of Fine Arts, Houston, Jankowski, Patrick,
  • Fresh Paint, The Housotn School, pp 25-29 Fresh Paint, If it represented the Houston School, someone is playing Hookey